Wednesday 25 November 2020

THE ESSENCE OF MY STORY - LAU 701










This past weeks I've been invested in trying to see how best my story could be told visually by characters and scenery. The final name change for my story is 'Deinamuu' which in my tribal language means safe journey. I have an incomplete storyboard and  storyline. Below I summarised descriptions of some scenes and the message I want to be told from them.

The story is set in South south Nigeria and it follows our main character on a hopeful journey from the village to the city.

main character- Flora

SCENE 1. The opening scene we see Flora saying goodbye to her family in the village.

The core of the scene is her ending a major aspect of her life, I want us to feel the fear and hope from her parents through their expressions and gestures, I also want to show the intimidation of the agent taking her on this journey and I want culture to be clear from the fabrics they are wearing.  

SCENE 2. We see a full view of Flora leaving her village.

The location I've chosen has been blessed with sunshine and bright colours. In this scene I want to showcase the culture while emphasising on her leaving to somewhere far.


SCENE 3. She wakes up in the car in the city with her agent 

I want the concentration to be on Floras complexed emotion between sadness and confusion. This scene would make her personality clear as having a humbling personality with a rebellious side.

...

Love interest or just neighbours ? - Atlas

SCENE LIKE 8?. Atlas grabs her arm (really hard) while she is sweeping the front of her employers house, he sees bruises on her arm . They both lock eyes before she pushes him away and takes her broom inside 

Here I want a mini fight scenes. Initially I want to provoke the audience, I want them to be very upset at Atlas for grabbing her but then be comforted that he discovered the bruises. Here should also show the intensity of the situation Flora is in. I also want to showcase up close mannerism, I want the stare to be very loud not with sound but with communication. She's defensive and he is overly concerned, but we also see sadness in her eyes. 

I am still working on the other scenes the locations I've chosen are very culture filled so I want that to be clear in my animation, They are both place that where very impactful in my childhood so I have a lot of personal experiences and I also want to emphasis on Domestic violence in the work place but demonstrated as exaggerated and mindful as an animation.

Its also important to note my film is set in the past so I want that to be clear int the colour tone and general set.




DEINA MUU



Tuesday 17 November 2020

THE LEAD LADY 👠 - LAU 701


The story follows the journey of a young lady. 

I spent majority of my week working on the personality and design of this character. Currently her name is Madison (soon will change) and she leaves her house in the village for a better but harder life. My storyline is constantly changing and I began to worry, I was advised in my tutorials to build my character and drop her in scenarios, from there the story evolve. When I finally finalise my character i’ll introduce her on this blog properly. I’ve practiced several styles for Madisons design, most styles I've tried are unnecessarily complicated.    

Madison concept sketches.

I did some speed drawing exercise over the week to simplify my design. 

Test drawings.

I want my audience to pity the protagonist. In a silent film the only way I can really connect is to create true emotions through clear facial expressions and body movement. I did an exercise from the animators survival guide over the weekend to practice emotions. I honestly think I need more research and practice. 

                                


My current character research has been from my surroundings, bobs burgers and Princess and the frog.

Also now that my story has changed drastically I need to think of something else for the background, using food seems very pointless now. I’m thinking either using it for a scene or for another idea.

Monday 9 November 2020

FOOD AS A SYMBOL 🍱

 I want a big part of my production to consist of food so for this week i watched a number of movies that contain food and tried to depict the role food plays in these films.

🍅 CLOUDY WITH A CHANCE OF MEATBALLS 🍝



In this film a food machine is created by a brilliant inventor to solve the issue of lack of enjoyable food in their small city. He manages to create a super invention that flies into the sky and creates so much food. Here food has been a source of happiness for the whole city, life seems more colourful. The invention is so groundbreaking it instantly improves the economy ands attracts tourist.


The machine is overworked and begins to create humongous sized food, causing destruction. Initially a lot of the citizens refused to acknowledge the size was a problem because the variety of food was causing so much happiness. Until it became too much to handle.

🍅 BOBS BURGERS 🍔

This is my all time favourite animated series. There is a strong correlation between food and family in this show. Bob and his family own a family burger shop in their city, The kids work as waiting staff and their customers are familiar and regular. Bob has an excessive love for creating food, he often always creates something special in the restaurant and has a little naming game with his children.

food serves as a grounding factor.

🍅 RATATOUILLE 🐭



In this popular movie...

Saturday 7 November 2020

Welcome to my Blog !! 👋

 



 My latest project is a sweet love story located in an apartment building. A slice of life, I decided to base my project on this love story in order to improve my visual story telling ability. This project would consist of a lot experimentation and derive from personal experiences

Yes, I am greatly inspired by Bojack horseman. 


Time passing

The film spans over a period of about a year, however seeing that its only a 2 minute film I struggled with making the time passing. My firs...